God Will Hunting in New Delhi
Photograph by Preeti Verma Lal
A U-turn, more stubborn cows and unkempt
kids on way, I finally saw the red façade of the
Masjid that has weathered mist, slanting rain and the sharp
sun for centuries. I think of a day nearly 400 years ago
when Mughal Emperor Shah Jahan commissioned the construction
of what is now the largest mosque in India; I think of the
onomatopoeic sound of the horse's hoof and the languorous
movement of a bullock cart wheel....
Not
many mornings do I get squeamish about my agnosticism, but
not every morning does the paraphernalia of religion swallow
me either. But that morning when one cousin got busy counting
the rosaries, another hurriedly stitched a golden appliqué
on the goddess's dress and yet another looked for the most
auspicious time to say that special prayer, I looked so
odd sipping coffee and reading the love poems of Pablo Neruda.
That morning, I decided to meet god, somewhere, anywhere
in Delhi.
But even before the gods could come my
way, there fell my way the unruly traffic at Daryaganj-
the stubborn cow would not move, the rickshaw scraped the
car's grey and the bus almost nudged me off the street.
And every redlight the dishevelled kid stretched his soiled
hand for alms. I was heading towards Jama Masjid and in
the mayhem took a wrong turn. Ah! My rendezvous with god
is jinxed, I thought. A U-turn, more stubborn cows and unkempt
kids on way, I finally saw the red façade of the
Masjid that has weathered mist, slanting rain and the sharp
sun for centuries. I think of a day nearly 400 years ago
when Mughal Emperor Shah Jahan commissioned the construction
of what is now the largest mosque in India; I think of the
onomatopoeic sound of the horse's hoof and the languorous
movement of a bullock cart wheel, I hear the shovel digging
the earth's womb, I see Ustad Khalil, the chief architect,
juxtaposing red sandstone with stripes of white marble.
But when a raucous parking guy beckons at Gate No.3, I return
to the present with a thud. That's the only available parking,
he insists. I knew I would not find another one, so I settle
for it.
I lug my bag, hitch my flowing skirt a
little, wear my skull cap and walk past the metal detector.
Once the bags are checked, I hurry up the 39 steps. I am
not the only one in search of gods, there's an old blind
man crawling up, there's a kid in frills hopping with gay
abandon and yes, there are the curious tourists expressing
awe in a thousand different languages. Of course, there
are the pigeons that have made the Masjid their home. It
is almost prayer time, but the old keeper at the huge gate
tells me women are not allowed to join the mass prayers.
I ask a why, I beg, I plead
But the answer is no. "But
I am here to see God," I finally blurt. The bearded
old man is not ruffled. "If you have faith, you will
find him," he smiles beatifically. I know that. I walk
in to look at the mosque that has three ornate domes, two
lofty minarets; there's the prayer hall that has 11 arched
entrances and there are the white marble plaques with inscriptions
in black.
As I run down the stairs and see walking
out of the prayer hall having had communed with god, I wonder
why I was not allowed in
Why are men so proximate to
god, as a woman I am not? Nobody answered that
Looking
for answers I head towards Sacred Heart Cathedral at 1,
Ashok Place.
The red church peeps from behind the large hedges and palms
of the circular garden; from one corner the smell of espresso
coffee wafts in the air; from another you can hear the hymn.
In the centre stands John in a kiosk, selling books, trinkets
and knick-knacks related to Biblical characters. A dainty
Mary Magdalene lamp catches my eye
But before I could
pick that up from John I can feel palpable peace. Nobody
seems to be in a hurry, nobody is loud, there is no tumult
Inside, the pew is long and books are arranged on the desk
for the mass; at the marble altar, there's Jesus flanked
by six candles. No, you cannot walk up to the Lord, you
kneel from far away, you gaze at the painted wall - all
from a distance. Away from the altar are photographs of
Jesus and sculptures of other saints, you can touch these
and light your candles
Father Luke of the Tuscan Province of
the Capuchins came to Delhi in 1919 and it was because of
his efforts and the generosity of Lady Willingdon that the
Cathedral was spared the insult of being a mere appendage
to the Post Office building. Money poured in as an interest-free
loan of Rs 60,000 from the Government of India and Rs 15,000
donation from a Japanese devotee. The foundation stone was
laid by Dr E Vanni, Archbishop of Agra in 1929 and when
the cathedral was completed the Carrara marble altar was
donated by Sir Anthony de Mello and the Dr Vinni gifted
the bell, the vestments and altar furniture. And its moment
of glory arrived when the Pope John Paul II said a prayer
in this Cathedral in 1986.
This time I wondered why Jesus was so
far way from me
.Why could I not walk up to him, kneel
and say my prayers? Why?
That day my rendezvous with the gods had
too many glitches; but I wanted to give it one more try,
perhaps this time the gods would meet me. Perhaps
.
It was getting dark and I was speeding amidst evening traffic
to reach Bahai Temple. From far off I could see the 27 petals
gleaming in the dark and I thought maybe this time the gods
would not disappoint me. But they did. When I reached, the
doors to the Bahai Temple had been closed and they would
not open until next morning. I cling to the iron gate and
think of the gods again
I drove miles searching for them,
why were they so elusive? Or, is it that they are everywhere,
I just need to look more carefully? I don't know
.
At the end of the day I was completely jaded, I put my feet
up again, sipped coffee and read Neruda again.
Tonight, the gods would walk into
my dream. They can't spurn me forever
.
Published
in The Times of India, November 2006
Contact:
Preetivermalal@gmail.com
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