Getting tempted in Pushkar
Photograph
by Preeti Verma Lal
Amidst all this was that dusky girl in turquoise
blue ghaghra and a choli that was so conical that I wondered
if she was wearing spears inside. No, she was not hawking
her wares; she was perched on a machan outside the gate
of Mayfair Circus and coaxing men to buy tickets. On the
small machan there were large sound boxes and a cassette
player that looked as huge as a car battery. She would bend
a little, crank the volume of the speaker and then would
pirouette on stage, her ghaghra twirling in air, her breasts
heaving, her almost bare back twitching bawdily
. The
night show of the circus was sold out in a jiffy - a few
twirls of that turquoise ghaghra, really.
Narendra
Sikligar's turban is a little soiled and a little tilted.
He is slumped on a chair, the sweat on his ebony skin glistening
in the arid desert sun. There are countless swords hanging
around him and on a pink satin cloth bows and arrows are
laid lazily. In a cot not too far away, a woman with beads
all over smokes a hookah and a scrawny child is howling.
I am standing in front of Sikligar's makeshift 'handycarft'
shop in Pushkar. He sniffs a deal and immediately hands
me his business card and rattles off his mobile number.
A business card! Market savvy, I smiled. It reads: "Vijay
Handycarfts. Speciality in Fanci Sord, Arrow & Borrow
."
The glossy card has an image of a sword that looks limp
and a shield that probably has worms wriggling on it.
If Sikligar's business card seems Greek,
let me decode it for you - Vijay Handicrafts. Specialty
in Fancy Sword, Arrows and Bows
.. His language might
have gone off the cue, but Sikligar has to deal with too
many gora sahibs who enquire about his beautiful swords
and the business card begins to roll off the conversation.
Sikligar is quick-witted; he comes to Pushkar from Chittorgarh
because he knows he can bait the gora sahibs and sell his
wares for a profit that beats all imagination. The business
card is just a handy prop!
Not everyone can afford a business card
- the less fortunate ones flaunt their implausible English
and peddle their wares with "Hullo Hullo, good thing,
cheap
.", "Hello, come my shop
best
thing
very good
little money
" There
are too many 'hellos' floating in the Pushkar air, there
are too many fervent sellers and perhaps everything under
the sun finds a shop or a sheet to be hawked. And I am not
even beginning to talk of the camels and cows that are the
most sought after in the Pushkar fair. I will come to the
green-horned cows and caparisoned camels later, let me list
the humanly temptations first - the oxidized earrings that
are so large that they look like boulders mouled in silver,
the embroidered yokes, the runners, the angrakhas, the skirts,
the shawls, the antique rosewood collapsible chairs, the
silver bracelets and the lac bangles, black clay pots and
iron woks, shimmering swords and beefy batons, colourful
ropes and pink candy floss, bead necklaces and silk skirts,
the yoyos and the coconut-shell stringed musical instrument,
the tidily arranged roasted gram looking flamboyant amidst
green chillies and red tomatoes and the deep fried malpuas
that get soaked in a sinful sugar syrup
.. If you start
counting the products, you would go breathless in a moment;
if you start giving in to temptation you might end up broke
and in hell for having been ensnared too often in a day's
time.
There are thousand different ways you
can get enticed in Pushkar - you could walk into a shop
like Collector's Paradise run by Tak Ashok Shivani and find
everything under the colourful ceiling, even a real gold
thread embroidered velvet cap for more than Rs 10,000 or
you keep walking around the Mela grounds and stop at every
shop. If you are an early bird, have your morning cuppa
and reach the Mela grounds, there would be fewer people
and less pestering hawkers, you can also then sit on the
creaky benches and slurp on jalebis and malpuas. If you
are nocturnal, around midnight you would still find a yoyo
and the paan seller, a groggy baton seller who spreads a
quilt and sleeps in the shop itself or a lone chaiwallah
who would brew a heady concoction for you and weave some
interesting tales about how shopping in Pushkar has changed
ever since the gora sahibs started swarming to the holy
hand in droves.
If you are an avid shopper, perhaps you know the basic rule
of the game: HAGGLE. The first quoted price is ludicrous,
slash it by half and if the shopkeeper shakes his head in
disbelief or pretends to be shocked at your audacity, take
it in your stride. Stick to your game plan, don't waiver,
don't give in to pleadings. If it doesn't work, say a thank
you and walk a few steps away from the shop
. Before
you breathe and say 'Good Heavens!' you would hear the shopkeeper
beckon you, "Hello, hello madam
. Say final price
"
Stick to your guns, shopper
.Your word would prevail.
Thou shalt win the price race! Let me warn you, the haggling
bout can leave you jaded and perhaps miffed, but if you
want to save a lot of bucks, go for the battle. After two-three
encounters you would master the art of haggling!
But between mastering the art of haggling and nursing a
sore feet, I got a little sacrilegious. Forgive my sins,
I know I was supposed to seek salvation in Pushkar but I
got jealous too - no, not of the dusky Rajasthani women,
looking stunning in their flowing skirts and innumerable
beads leaning against their bosom, or the men with their
turbans, gold earrings and an indescribable seductive fire
in their eyes. I spurned all these and actually got jealous
of the camels - not of the large eyelashes of the dromedary
camel, or their long hair that is turned into cordage or
long-napped cloth or even the honey tinge of their skin.
I got covetous of their jewellery and embroidered stoles
(what else do I call it?) - the brass bells around the knee
that tinkle as the camel trudges through the sand dunes;
the solid silver choker-like pajeb that adorns its ankles,
the colourful beads around its long neck, the embroidered
cloth on its hump, the bonbons, the mirrored sheet on the
saddle, the shells stitched on red velvet and turned into
chokers
God! If there is rebirth make me a camel for
a day and let me spend a day in Pushkar. I want to look
chic and go jingle-jangle on the sand dunes!
There were too many products and temptations,
but you ain't heard anything yet. Amidst all this was that
dusky girl in turquoise blue ghaghra and a choli that was
so conical that I wondered if she was wearing spears inside.
No, she was not hawking her wares; she was perched on a
machan outside the gate of Mayfair Circus and coaxing men
to buy tickets. And what a marketing gimmick that was -
on the small machan there were large sound boxes and a cassette
player that looked as huge as a car battery. She would bend
a little, crank the volume of the speaker and then would
pirouette on stage, her ghaghra twirling in air, her breasts
heaving, her almost bare back twitching bawdily
. The
night show of the circus was sold out in a jiffy - a few
twirls of that turquoise ghaghra, really. She might have
looked raunchy to her last drop of sweat, but boy! she really
was a lesson in hard-selling. That midnight hour in Pushkar,
I forgot being arrogant about the art of haggling and shopping,
I came back with eternal lessons in marketing. Risqué,
but she was worth it!
Published
in Discover India magazine, March 2006.
Contact:
Preetivermalal@gmail.com
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